“ASDACS is the vital financial reward that Australian directors have been missing out on for too long.”

Director: Dead Calm, Patriot Games, Newsfront, Rabbit Proof Fence, Salt, The Bone Collector, The Quiet American, The Saint.

“I stand by ASDACS and the ADG as they stand by me”

Director: Black Panther Women, Bran Nue Dae, First Australians, Jasper Jones, One Night the Moon, Redfern Now.

"I rely on ASDACS to make these collections on my behalf, small bits and pieces and sometimes even not so small, but bits that make a difference...and there's not any way I could ever do this task myself."

Director: Alexandra’s Project, Bad Boy Bubby, Charlie’s Country, Dr Plonk, The Old Man Who Read Love Stories,  Ten Canoes, The Tracker.

“ASDACS do a great job chasing up returns from films for needy directors!”

Director: The Adventures of Barry McKenzie, Black Robe, Breaker Morant, Don’s Party, Driving Miss Daisy, Mao’s Last Dancer, Paradise Road, Puberty Blues. 

"Thank you ASDACS for protecting our copyright and taking care of our royalties. Without you, we’d be poorer in more ways than one.”

Director: Ten Pound Poms, Head On, Only the Brave, The Book of Revelation, Blessed, Here Out West, The Secret Life of Us

“I am indebted to ASDACS for managing my directors copyright on my films world wide; especially those annual copyright payments!"

Director: Charlotte, Little Women, My Brilliant Career, Oscar and Lucinda, Starstruck, Unfolding Florence: The Many Lives of Florence Broadhurst.

“ASDACS are like a Surprise Santa who without notice lavish me with wonderful royalty gifts! As I am constantly consumed with making my animated films, it’s comforting to know ASDACS are in the background collecting moola on my behalf”.

Director: Harvey Krumpet, Mary and Max, Uncle.

“Copyright for directors is important - it’s not just about the money, but it’s an important acknowledgment for my work”

Director: Lore, The Secret Life of Us, Somersault, The Silence.

“I’m forever grateful for the crucial work done by ASDACS, especially when the cheques arrive. These annual copyright payments are more than just a pleasant reward - they are our hard earned rights.”

Director: The Hunter, The Tourist, The Beat Manifesto, The Hunter, Critical Incident, Doctor Who

“When I’m gambolling in the creative sandpit ASDACS has my back.”

Director: Mr. Patterns, Satellite Boy, The Bondsman

“Copyright is your badge of ownership, as important as the title deed to your house. It says ‘This work is my property and can only be used with my permission."

Director: The Boys are Back, Fallen, Glass: A Portrait Of Phillip In Twelve Parts, The INXS: Swing and Other Stories, Shine, Snow Falling On Cedars.

“I am so grateful for the work that ASDACS does to protect and reward the artistic capital we invest in every project.”

Director: Poetry, The Twelve, Black Snow, The Gloaming, The Twelve, Nowhere Boys, Reef Break

“It takes incredible focus and energy to be a working Director today, so it is crucial for us to have organisations such as ASDACS taking care of our royalty collections and copyright concerns”

Director: The Big Brothers, Daybreakers, Predestination, Undead.

“Without directors, there is no screen industry.” 

Director: Walking on Water, The Home Song Stories, The Turning, Cut Snake, China Dolls

“I’m so grateful for the work ASDACS do and for being in our corner helping protect directors’ rights.”

Director: Dead Europe, The Tall Man, The Devil’s Playground, Significant Others, Glitch, Harrow